Film Music Review
The Sammy awards
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The Sammy Film Music Awards (or "The Sammys")

are named in honor of lyricist, Sammy Cahn, 1913-1993

 

 

 

 




With songwriter Jule Styne, Sammy Cahn received his first Oscar for "Three Coins in the Fountain" (1954).

 

 

 

 

 

 

 

Sammy Cahn and James Van Heusen received three Oscars for their movie songs.

Both of these songwriters have been named for Lifetime Achievement Sammy Awards.

The Sammys have no connection to any other awards (BAFTA, Golden Globes, Oscars), and are based on the overall quality of the soundtrack or compilation release.  How the music is used in the film is also considered but is not the only factor in the final choice. 

They are announced each year for the best (and sometimes also the most overrated) film music. The focus is on vintage film scores but new film scores (and sometimes film songs) are included.

The Sammys are the longest running awards devoted exclusively to film music on CDs or downloads.

For more, see Why The Sammy Awards?

The Sammys are chosen by Roger Hall, a respected film music historian, composer, author of A GUIDE TO FILM MUSIC, and editor of Film Music Review.

 

 

Roger is also a member of the

 

IFMCA: the International Film Music Critics Association

 

 

For more information about the International Film Music Critics Association, its members and the list of awards, please visit
International Film Music Critics Association


 

Music Books Available

Many of Sammy's popular movie songs are included in
this excellent
collection

The New Sammy Cahn Songbook

Available in a multimedia format is the revised 4th edition of a useful film music guide with bonus audio clips from Oscar music tributes on radio and also announcements of the Sammy Awards between 1989 and 1995. The guide and bonus features are included on of the DVD, playable on any computer, and titled,

A GUIDE TO FILM MUSIC


 

Film Composer Remembered

Bernard Herrmann: A Centennial Tribute


 

Click on these links to read more:

Sammy Cahn and His Four Oscars

Highest Number of Sammy Awards

The 24th Annual Sammy Awards

Previous Sammy Awards

Lifetime Achievement Award 2005


 

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The Sammy Film Music Awards

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Sammy Cahn and His Four Oscars

 

 

Sammy Cahn was Oscar nominated more than any other songwriter –
26 times in all between 1942 and 1973. 

The first Sammy Awards were chosen for best score and song of 1988 – the year of Sammy Cahn’s 75th birthday.  When he was notified, Sammy said he was “flattered and honored" to have them named after him. He certainly deserved the honor. Sammy won 4 Oscars for his lyrics to these songs:

 

 


"Three Coins in the Fountain"
(1954) from THREE COINS IN THE FOUNTAIN -- music by Jule Styne

"All the Way" from THE JOKER IS WILD (1957) -- music by James Van Heusen

"High Hopes" from A HOLE IN THE HEAD (1959) -- music by James Van Heusen

"Call Me Irresponsible" from PAPA'S DELICATE CONDITION (1963) -- music by James Van Heusen

All four songs were recorded by Frank Sinatra, a big admirer of Sammy's lyrics.


Highest Number of Sammy Awards

 

Most Sammys for a Film Composer

John Williams (10)

[ 1988, 1989, 1990, 1993, 1995, 1997,1998, 2001, 2004, 2005 ]

See the 80th birthday special at

John Williams: A Film Music Tribute

 

Most Sammys for a Film Songwriter

(Tie)

Alan Menken (3)

[1989, 1991, 1992]

Randy Newman (3)

[1999, 2000, 2006]


The Latest Sammy Awards

 

24th Annual Sammy Awards

will be announced here

on

February 6, 2012

 

Many of the nominees are found at

The Best Film Music of 2011

 


 

 

 

The Sammy Awards, 1988-2008

See the list here

 

23rd Annual Sammy Awards For 2010

22nd Annual Sammy Awards For 2009

21st Annual Sammy Awards For 2008

20th Annual Sammy Awards For 2007

19th Annual Sammy Awards For 2006

18th Annual Sammy Awards For 2005

 


 

Lifetime Achievement Award (2005)

Elmer Bernstein,
4 April 1922 - 18 August 2004

I think that the tide running against good music is so strong that none of us who care are surprised or outraged any more when we hear dumb music accompanying a film...Film has become, with some exceptions, a special effects medium. Films reflect the generally shoddy standards of present-day society. It's a junk culture, and people buy junk...generally speaking, film has not advanced in terms of taste and intelligence, and that makes it tough for music.

--Elmer Bernstein interviewed by Tony Thomas, quoted in Music for the Movies, 2nd edition, 1997

For me, he was one of the composers in the Great Film Composer Triad of the past five decades. The composers who make up this triad are: Elmer Bernstein, Jerry Goldsmith and John Williams. All three composers began their composing for TV or movies back in the 1950s.  Two of them passed on in 2004: Elmer Bernstein and Jerry Goldsmith. And another major film composer, David Raksin, also died that year.

In the case of Elmer Bernstein this was especially sad for me because his music was some of the first I recognized back in the 1950s.  

One of his early scores was for ROBOT MONSTER in 1953, now considered one of the worst films ever made. I saw it as a teenager and still remember it as a "guilty pleasure."  I wrote about first watching this film on late night TV and what a lasting impression the score made on me.  My story was written as an 80th birthday tribute to Elmer.

You can read it at the official website:

www.elmerbernstein.com

Between 1951 and 2002, Elmer composed over 200 scores for films and TV programs.  

Here are some of his great film scores from 1955 to 1965:

THE MAN WITH THE GOLDEN ARM (1955)

THE TEN COMMANDMENTS (1956)

THE MAGNIFICENT SEVEN (1960)

WALK ON THE WILD SIDE (1962)

THE GREAT ESCAPE (1963)

HAWAII (1965)

THE SONS OF KATIE ELDER (1965)

But the score that Elmer picked as his favorite was:  

TO KILL A MOCKINGBIRD (1962)

I agree with his choice.   This has one of the simplest and most delicate film scores ever composed.  It's a masterpiece of subtle film scoring.I listed it in the Top Ten of 20th Century Film Scores in the book, A Guide to Film Music.

Elmer Bernstein had 14 Oscar nominations and strangely he received his only Oscar for his adapted score to a musical, THOROUGHLY MODERN MILLIE   in 1967. He should have received at least several more Oscars for such landmark scores as THE MAGNIFICENT SEVEN and TO KILL A MOCKINGBIRD.

Later, he composed scores for  "Saturday Night Live" alumni comedies like TRADING PLACES (1983) and GHOSTBUSTERS (1984).

He also wrote more serious subject scores, such as for MY LEFT FOOT (1989)and THE GRIFTERS (1990).

Even though he was probably best known for his rugged outdoor western music, like the John Wayne westerns, Elmer's ability to compose a subtle score was always evident, as in THE AGE OF INNOCENCE.

His last major score was FAR FROM HEAVEN, which I chose for The Sammy Award as Best Score of 2002. It was fortunate that he had the opportunity to close out his career with such a brilliant film score.

 

-- Roger Hall, The Sammy Awards

 

Additional Note: Elmer Bernstein has been inducted to the Tunemaker Hall of Fame for 2005.


Several songs with lyrics by Sammy Cahn are on the

Survey of American Song

If you have comments or questions, write to:

The Sammy Awards

 


The Sammy Awards have been mentioned at these websites:

Classic Movies (March 17, 2006)

Elmer Bernstein - The Official Site

Film Score Monthly

SoundtrackNet

John Williams Fan Network

If you have a film or music website and list the Sammy Awards or would like to exchange links, write to:

The Sammy Awards


Please help support

The Sammy Film Music Awards

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